Bell Book And Candle Script

Script by:John Van Druten (Theatre Play), Daniel Taradash (Screenplay)
Directed by:Richard Quine
Year:1958

Plot:A modern-day witch likes her neighbor but despises his fiancee, so she enchants him to love her instead... only to fall in love with him for real.
9903

Hawaii Script

Script by:James Michener (Novel), Dalton Trumbo (Screenplay), Daniel Taradash (Screenplay)
Directed by:George Roy Hill
Year:1966

Plot:Abner Hale, a rigid and humorless New England missionary, marries the beautiful Jerusha Bromley and takes her to the exotic island kingdom of Hawaii, intent on converting the natives. But the clash between the two cultures is too great and instead of understanding there comes tragedy.
9798

Picnic Script

Script by:Daniel Taradash (Screenplay), William Inge (Writer)
Directed by:Joshua Logan
Year:1955

Plot:The morning of a small town Labor Day picnic, a drifter (Hal Carter) blows into town to visit an old fraternity buddy (Alan Benson) who also happens to be the son of the richest man in town. Hal is an egocentric braggart - all potential and no accomplishment. He meets up with Madge Owens, the town beauty queen and girlfriend of Alan Benson.
9946

From Here to Eternity (1953) Script

Script by:James Jones (Novel), Daniel Taradash (Screenplay), James Jones (Screenplay)
Directed by:Fred Zinnemann
Year:1953

Plot:In 1941 Hawaii, a private is cruelly punished for not boxing on his unit's team, while his captain's wife and second in command are falling in love.
5186

From Here to Eternity Script

Script by:James Jones (Novel), Daniel Taradash (Screenplay), James Jones (Screenplay)
Directed by:Fred Zinnemann
Year:1953

Plot:The setting is an army base in Hawaii in 1941. Montgomery Clift, in a superb performance, plays a bugler who refuses to fight for the company boxing team; he has reasons for giving up the sport. His refusal results in harsh treatment from the company commander, whose bored wife (Deborah Kerr) is having an affair with the tough-but-fair sergeant (Burt Lancaster). You remember–the scene with the two of them embracing on the beach, as the surf crashes in. The supporting players are as good as the leads: Frank Sinatra and Donna Reed won Oscars (and Sinatra revitalized his entire career), and Ernest Borgnine entered the gallery of all-time movie villains, as the stockade sergeant who makes Sinatra miserable. Zinnemann’s work is efficient but also evocative, capturing the time and place beautifully, the tropical breezes as well as the lazy prewar indulgence. This one is deservedly a classic. –Robert Horton