The Conversation Script

Script by:Francis Ford Coppola (Screenplay)
Directed by:Francis Ford Coppola
Year:1974

Plot:Surveillance expert Harry Caul is hired by a mysterious client's brusque aide to tail a young couple. Tracking the pair through San Francisco's Union Square, Caul and his associate Stan manage to record a cryptic conversation between them. Tormented by memories of a previous case that ended badly, Caul becomes obsessed with the resulting tape, trying to determine if the couple are in danger.
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Tucker: The Man and His Dream Script

Directed by:Francis Ford Coppola
Year:1988

Plot:Preston Tucker is a dynamic engineer and an enthusiastic showman who envisions the car of the future. However, his dream of making his car become reality is repeatedly hampered by unrealistic expectations and meddling by established car corporations who want him to fail.
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The Godfather: Part III Script

Script by:Mario Puzo (Author), Francis Ford Coppola (Author), Mario Puzo (Screenplay), Francis Ford Coppola (Screenplay)
Directed by:Francis Ford Coppola
Year:1990

Plot:In the midst of trying to legitimize his business dealings in 1979 New York and Italy, aging mafia don, Michael Corleone seeks forgiveness for his sins while taking a young protege under his wing.
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The Godfather: Part II Script

Script by:Mario Puzo (Novel), Francis Ford Coppola (Screenplay), Mario Puzo (Screenplay)
Directed by:Francis Ford Coppola
Year:1974

Plot:In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.
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The Cotton Club Script

Script by:William Kennedy (Screenplay), Francis Ford Coppola (Screenplay), Jim Haskins (Novel)
Directed by:Francis Ford Coppola
Year:1984

Plot:Harlem's legendary Cotton Club becomes a hotbed of passion and violence as the lives and loves of entertainers and gangsters collide.
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Peggy Sue Got Married Script

Script by:Jerry Leichtling (Screenplay), Arlene Sarner (Screenplay)
Directed by:Francis Ford Coppola
Year:1986

Plot:Peggy Sue faints at a high school reunion. When she wakes up she finds herself in her own past, just before she finished school.
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One from the Heart Script

Script by:Armyan Bernstein (Writer), Francis Ford Coppola (Writer)
Directed by:Francis Ford Coppola
Year:1982

Plot:Hank and Frannie don't seem to be able to live together anymore. After a five-year relationship, lustful and dreamy Frannie leaves down-to-earth Hank on the anniversary of their relationship. Each one of them meets their dream mate, but as bright as they may seem, they are but a stage of lights and colors. Will true love prevail over a seemingly glamorous passion? Welcome to Coppola's Broadway-like romantic musical.
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Jack Script

Script by:James DeMonaco (Screenplay), Gary Nadeau (Screenplay)
Directed by:Francis Ford Coppola
Year:1996

Plot:Jack Powell suffers from an affliction that makes him grow four times faster than normal, so the 10-year-old looks like a 40-year-old man. After years of being tutored at home, Jack convinces his overprotective parents to send him to public school. The children don't know what to make of Jack, but with the help of his fifth-grade teacher, he makes an effort to win them over.
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Godfather Script

Script by:Mario Puzo (Screenplay), Francis Ford Coppola (Screenplay), Mario Puzo (Novel)
Directed by:Francis Ford Coppola
Year:1972

Plot:Spanning the years 1945 to 1955, a chronicle of the fictional Italian-American Corleone crime family. When organized crime family patriarch, Vito Corleone barely survives an attempt on his life, his youngest son, Michael steps in to take care of the would-be killers, launching a campaign of bloody revenge.
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Dracula Script

Script by:Bram Stoker (Novel), James V. Hart (Screenplay)
Directed by:Francis Ford Coppola
Year:1992

Plot:When Dracula leaves the captive Jonathan Harker and Transylvania for London in search of Mina Harker—the reincarnation of Dracula's long-dead wife, Elisabeta—obsessed vampire hunter Dr. Van Helsing sets out to end the madness.
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