The Color Of Night Script

Script by:Matthew Chapman (Screenplay), Billy Ray (Screenplay)
Directed by:Richard Rush
Year:1994

Plot:When New York psychiatrist Bill Capa visits Los Angeles to take over his murdered colleague's therapy group, he finds himself embroiled in the thick of a mystery when he bumps into Rose and begins a torrid affair.
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Air America Script

Script by:Richard Rush (Screenplay), Christopher Robbins (Novel), John Eskow (Screenplay)
Directed by:Roger Spottiswoode
Year:1990

Plot:Air America was the CIA's private airline operating in Laos during the Vietnam War, running anything and everything from soldiers to foodstuffs for local villagers. After losing his pilot's license, Billy Covington is recruited into it, and ends up in the middle of a bunch of lunatic pilots, gun-running by his friend Gene Ryack, and opium smuggling by his own superiors.
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Getting Straight Script

Directed by:Richard Rush
Year:1970

Plot:Graduate student Harry Bailey was once one of the most visible undergraduate activists on campus, but now that he's back studying for his master's, he's trying to fly right. Trouble is, the campus is exploding with various student movements, and Harry's girlfriend, Jan, is caught up in most of them. As Harry gets closer to finishing his degree, he finds his iconoclastic attitude increasingly aligned with the students rather than the faculty.
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The Stunt Man Script

Script by:Lawrence B. Marcus (Screenplay), Richard Rush (Adaptation), Paul Brodeur (Novel)
Directed by:Richard Rush
Year:1980

Plot:While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O'Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes.
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