Yankee Doodle Dandy Script

Script by:Robert Buckner (Screenplay), Edmund Joseph (Screenplay), Julius J. Epstein (Screenplay), Philip G. Epstein (Screenplay)
Directed by:Michael Curtiz
Year:1942

Plot:A film of the life of the renowned musical composer, playwright, actor, dancer and singer George M. Cohan.
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Arsenic And Old Lace Script

Script by:Joseph Kesselring (Theatre Play), Julius J. Epstein (Screenplay), Philip G. Epstein (Screenplay)
Directed by:Frank Capra
Year:1944

Plot:Mortimer Brewster, a newspaper drama critic, playwright and author known for his diatribes against marriage, suddenly falls in love and gets married; but when he makes a quick trip home to tell his two maiden aunts, he finds out his aunts' hobby - killing lonely old men and burying them in the cellar!
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The Man Who Came to Dinner Script

Script by:Julius J. Epstein (Screenplay), Philip G. Epstein (Screenplay), George S. Kaufman (Theatre Play), Moss Hart (Theatre Play)
Directed by:William Keighley
Year:1942

Plot:An acerbic critic wreaks havoc when a hip injury forces him to move in indefinitely with a Midwestern family.
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Chicken Every Sunday Script

Script by:Julius J. Epstein (Theatre Play), Philip G. Epstein (Theatre Play), George Seaton (Writer), Valentine Davies (Writer)
Directed by:George Seaton
Year:1949

Plot:A woman takes in boarders to support her husband's harebrained financial schemes.
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Brothers Karamazov Script

Script by:Julius J. Epstein (Screenplay), Richard Brooks (Screenplay), Philip G. Epstein (Screenplay)
Directed by:Richard Brooks
Year:1958

Plot:Ryevsk, Russia, 1870. Tensions abound in the Karamazov family. Fyodor is a wealthy libertine who holds his purse strings tightly. His four grown sons include Dmitri, the eldest, an elegant officer, always broke and at odds with his father, betrothed to Katya, herself lovely and rich. The other brothers include a sterile aesthete, a factotum who is a bastard, and a monk. Family tensions erupt when Dmitri falls in love with one of his father's mistresses, the coquette Grushenka. Two brothers see Dmitri's jealousy of their father as an opportunity to inherit sooner. Acts of violence lead to the story's conclusion: trials of honor, conscience, forgiveness, and redemption.
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